Tami Troman

Violin

Tami Troman studied modern violin at the Conservatoire National Supérieur de Musique et Danse in Lyon before specialising in early music at the Conservatoire de Paris (CNSMDP). She is also following an advanced course at the Haute École de Musique in Geneva. In addition to chamber music, which she plays in a variety of ensembles, she has been invited as concertmeister and soloist by various modern and baroque orchestras: Orchestre national des Pays de la Loire, Orchestre de chambre de Normandie, Anima Eterna, Artaserse, Les Surprises, Cappella Mediterranea. Since 2015, she has been a regular concertmaster and soloist with Les Arts Florissants. She also follows Georges Werler’s acting classes at the CNSMDP and performs in Racine’s Esther at the Comédie Française, Monteverdi’s Orfeo, directed and staged by Paul Agnew, Monsieur de Pourceaugnac (Clément Hervieu-Léger), Beggar’s Opera (Robert Carsen). At the same time, Tami Troman creates and conceives shows centred on early music: Pergolesi’s La serva padrona in 2009 and a chamber version of Rameau’s Castor et Pollux in 2011. With Héloïse Gaillard, she imagined and wrote the text for MéChatmorphoses, a musical show for the general public premiered at the Opéra de Dijon in November 2017 with a singer, an actor and the musicians of Amarillis, and which is performed in various opera houses in France. Since May 2019, Tami Troman has been coordinating the annual Hip Baroque Choc, a participatory show that brings together several hundred vocational high school students from the Paris region with the Concert de la Loge conducted by Julien Chauvin.